Super7 is pleased to announce a collaboration with two of our oldest friends, Martin Ontiveros and Gargamel, the Super7 x Martin Ontiveros x Gargamel Burning Ojo Rojo!!

Super7 is pleased to announce a collaboration with two of our oldest friends, Martin Ontiveros and Gargamel, the Super7 x Martin Ontiveros x Gargamel Burning Ojo Rojo!!

This Rock 'n Roll Demon is blazing hot and ready ignite your collection with its release this Saturday, September 6th!! Hot on the heels of his elder twins, the Burning Ojo Rojo is the first painted clear release of the sculpt and is cast in clear orange vinyl with orange, black, white and caramel brown accents.

The Burning Ojo Rojo is 6 inches tall and will be offered for sale at $100, Tuesday, September 9th at 11am Pacific at the Super7 Store and distribution partners.

The MantanGun is the standard sidearm of the first five Go-Onger. In order to power a MantanGun, an Engine Soul must be inserted into it; without the living cartridge, it remains inert.

This has been out for about a month now, and while I did get it right away I wanted to make sure to spend some quality time with it before giving you (our readers) the full review. In short, believe the hype. This may very well be the finest “toy” Yamato has made to date. Yes I said toy.

Personally I was first introduced to the world of Japanese toy collecting thru the American syndicated show, Robotech. Having grown up in Hawaii with a heavy Asian population I very quickly learned about Macross, Southern Cross and Mospeada and that there where toys from the line better than most of the Matchbox line that was out. It was the 1/55 Takatoku/Bandai releases of the Valkyries that got me into the Japanese toy collecting culture before there was such a thing known in the States. It's all been downhill ever since...

So let's start at the top. What is a Valkyrie (aka variable Fighter?) From Wikipedia:

“A Variable Fighter is one of a series of fictional transforming aerospace fighters primarily designed by Studio Nue's Shoji Kawamori and Kazutake Miyatake for the animated series The Super Dimension Fortress Macross and later related projects.”

“Their most notable feature is the ability to transform—usually into a humanoid giant robot called Battroid and an in-between mode called GERWALK (Ground Effective Reinforcement of Winged Armament with Locomotive Knee-joint), in which the nose and wings have a pair of "chicken walker" legs extending underneath enabling VTOL, and two arms reaching forward from the sides. Another prevalent (but not universal) design point is the use of a detachable gun pod instead of an internally mounted gun. This allows it to be used as a hand-held weapon in GERWALK and battroid modes. They usually also have one or more trainable head-mounted lasers in battroid mode, stowed internally or used as fixed armament in fighter and GERWALK modes.”

“In the original series, the reason behind the development of the variable fighters' Battroid mode was the discovery of the existence of the Zentradi race, giant humanoid aliens genetically engineered for military conquest. Although at the time the humans hadn't met any actual Zentradi, the discovery of the SDF-1 Macross and its accommodations for humanoid giants justified the development of a weapon that could enable mankind to fight the aliens on their own environment (Battroid mode), on the ground (Gerwalk mode), and the air (Fighter mode). Thus, research into Overtechnology culminated in the development of the variable fighters for the U.N. Spacy.”

This is obviously not the first toy of the well loved mecha from Japan and what follows is not by any means a complete history of its different incarnations as a toy. Consider it more of a greatest hits.

The first licensor was Takatoku, who produced the original 1/55 Valkyrie toys, which revolutionized the industry with their “Perfect Transformation” system. Later, Bandai would get the molds and begin to produce new toys of the series. Most “old school” collectors consider this to be the pinnacle of toy engineering from the 80's and lovingly referring to it as “The Chunky Monkey”. While it was a bit chunky and did not have an “anime accurate” look too it, it was a very well made and rugged toy with lots of die-cast content and for many years it represented the best Valkyrie on the market.

Then around 2001 Yamato of Japan got the license to Macross Plus and Super Dimensional Fortress Macross and quickly came out with transformable 1/72 scale Macross Plus mecha and then the (first generation) 1/60 scale Valkries began to appear and many fans where happy. Many, but not all, as this release was not a “perfect transformation” but featured part swapping to keep an anime accurate look in all three modes and the die cast legs tended to ding and scratch very easily.

So fast forward a few more years later and Yamato decides to reboot the Valkyrie line in the 1/48th scale, this time promising a “perfect transformation.” most considered it an engineering marvel and I myself gave it a good review. It's larger size and complex engineering made for a very unwieldy transformation that just wasn't much fun. Not a problem for those collectors that just want their stuff to look pretty on the shelf but disappointing those that wanted a “toy” that was solid feeling and fun to transform.

The box is smaller than the newer 1/60 Macross releases from Macross Zero and Macross Plus measuring at 13x11x7 inches all around with very nice 4 color art and photos are all over the box. They continue the tradition of the window box with flap/cover and the toy being displayed in fighter mode with the strike/super armored parts in a vacuum-formed tray behind the fighter.

Inside the box is a manual for the transformation of the toy and a separate manual for placing the strike/super armor pieces on the Valkyrie. Both are printed in Japanese but the photos are very clear and steps are easily understood if you pay close attention to them (more on this a bit further into the review.)

Also packed in the box is a sticker sheet for both the fighter and a separate one for the strike/super armor parts. I won't be using the stickers for this piece as it has every “memorial” detail (Macross kite logo, skull squadron logo, U. N. Spacy markings, Etc.) already tampo printed on.

The full breakdown on accessories is:

• set of “anime” hands
• 4 missile clusters (black)
• 4 missile clusters (white)
• 4 heavy missile clusters
• Super/Strike armor pieces
• 3 stand attachments
• 1 pilot

Taking it out of its package for the first time is a very, very pleasant experience. The first thing you will notice is the fighter alone feels very light and the second thing you notice is nothing is loose, nothing dangles or flops around and everything is tight and secure. You can do barrel rolls and zoom around with it and it all stays put. First impression ... feels like a toy. A real, honest to goodness toy.

The tampo printed detail is super clean and neat, seriously the paint application is flawless. No sign of over/under spray anywhere and printed/painted detail is generous. Every major and memorable marking you would remember from the Movie or TV series is already printed on the piece right down to details on the cockpit instruments.

Color just pops on this VF-1S. The yellow is rich and bright, the black is pitch as night and the white is the right shade- not to bright, not to dull. Just right. The cockpit window has a coating applied to it to give it reflective look that many did not like when pictures first showed up on-line of it but I think looks very nice actually as it creates a prism effect like real glass would. It is nice that Yamato has gotten their manufacturing process to the point that stickers are not necessary to get all the detail of the show/movie.

The fit and finish are just plain awesome on this release. Word on the street is, Yamato has someone new in the position of Quality Control and with this release it appears he is having a real impact on their design and manufacturing process. Like my initial impressions, continual handling and transformation do not appear to loosen anything. Everything is tight; wings, missiles, landing gear hatches all sit where there supposed too.

Fighter mode measures 9 1/2 inches long from tip to tail and looks great no matter what angle you look at it from with all of it's proportions looking fantastic. Nothing is too big and nothing is too small.

Gerwalk mode is very good as well. As a matter of fact I think this is the best Valkyrie to do the mode any real justice. The proportions again are perfect and with the stand you can really get some wicked poses with this thing.

And in it's most famous alternate mode, Battroid mode - it looks absolutely fantastic. If I were to nitpick I'd say the gap on the sides is a bit unsightly but it is just that, a nitpick. The overall look and feel is great and proportions are excellent. Not to mention how solid it feels when you handle it in this mode. I keep bringing it up but it is indeed a very solid “toy”.

Transforming the fighter is no less impressive. While it is true that Yamato has basically taken all that they have learned about engineering over the past 6 plus years and tweaked to perfection everything along the way. While it has some complex engineering to it, it is fun to transform and I am happy to say it's seen a lot of “off-the-shelf-action.”

Directions are in Japanese but the photos are very clear as to what is going on. If you have any familiarity with previous releases of the Valkyrie fighter much is intuitive and the same as previous releases. Something to note however, be sure to slide the chest panel bracket toward the front of the fuselage BEFORE you get it into Battroid mode, otherwise you may end up with a broken Heatshield. Luckily Ken from Angolz was able to get me a replacement one thru the Yamato Hong Kong offices. Both Yamato and Angolz went above and beyond to get me this piece and it is very much appreciated.

Final verdict is ... Love it! Love it! Love it! Seriously, you want one of these. Yamato has finally knocked it out of the park (so to speak) this time around and not only made an excellent reproduction of a revered Japanese mecha but have succeeded in making a fantastic toy. In my opinion this may very well be Toy Of The Year. Not a fan of this paint scheme just hang a bit, I am sure Yamato will pump out one of every color at some point just grab the style you like best but know it's very good and worth your hard earned money.

Should you want your very own 1/60 2.0 VF-1S with Super and Strike Parts head over to Angolz.com and grab one today. Seriously, you WANT one of these. I think Yamato has a real winner with this new line. Video is included of course.

Saint Seiya Saint Cloth Myth Scorpio Milo from Bandai

Saint Seiya Saint Cloth Myth Scorpio Milo from Bandai, due December for 4,000 yen.

The repaint was inevitable, and here it is. From the PS2 video game, comes the VF-19A Excalibur

The Yamato GNU-DOU VF-19A Excalibur comes from the video game Macross VFX2 Digital Mission. This appears to be a simple repaint of the previously released YF-19.

Due December for 3,150 yen.

Yamato's answer to Figma and Fraulein - Moe Moe Block. At least they admit it in the name.

Moe Moe Block is Yamato's answer to Figma and Fraulein. At least they admit it in the name.

180mm tall (6.5 inches), will sell for 5,800 yen. That can't be right, can it? Due in December.

From the hit movie Iron Man, its the Iron Man Mk2 armor, and boy is it full of win.

Words cannot express my lust for this toy. 1/6 scale, full armored Iron Man Mark 2 - due in December for 20,953 yen.

New Soft vinyl kaiju from X-Plus, from the 1967 film King Kong Escapes

New Soft vinyl kaiju from X-Plus, from the 1967 film King Kong Escapes, also seen in Destroy all Monsters.

20cm tall, 19,800 yen, due October 2008

Great pictures of the first two releases from Revoltech SFO

Great pictures of the first two releases from Revoltech SFO.

Both are due October, 1680 yen each.

Tai Lan

Ryu

Vegetius is being most beast-like creature of Big Battel. No man and no monster can control the giant bird-turtle when lunchtime is near.

The confident and buoyant 14 year-old pilot of the red & orange Evangelion Unit-02 has undergone a radical change from her original human form...

Gurren Lagann Fulldrillized improves on the already awesome Revoltech Gurren Lagann.

It's also really SHARP.

Gurren Lagann is a great anime so far that I've been following on the Sci-Fi channel. I know I could just download the whole series, but I'm really enjoying waiting for new episodes to come out. There's something very "old school" about waiting.

We've already seen the normal mode of Gurren Lagann as a Revoltech, and now we have the "Fulldrillized" version. So what is Fulldrillized (other than cashing in on another version of Gurren Lagann)?

In the anime, Gurren Lagann fights against other Gunmen, each battle getting more intense than the last. Gurren Lagann is so over the top, that random crap keeps appearing with the robot - such as giant drills, self-reparing armor, and this mode, in which drills appear all over Gurren Lagann's body.

Fulldrillized Gurren Lagann comes courtesy of HobbyLink Japan

The drills themselves are not removable, and are actually quite sharp. This is one Revoltech you don't want to sit on by accident. The drills don't hinder movement too much, but it is not as poseable as the first.

You may also remember the problems with the sunglasses on the first Gurren Lagann. This has been rectified with the new release. Now the glasses pop off easily, and its only the red part that is difficult to get out. Kaiyodo includes an advisory about the proper way to swap the chest pieces. Also worth noting is that a faded paint application has been added to the glasses.

Gurren Lagann comes with two heads - one angry, one not.

Several variant hands are included, one of which can hold the giant Gurren.. boomerang?

Also included is a replica of Simon's key, which can separate in two. The drill section can be attached to the arm and used as a weapon.

So, is it worth it? It depends on how much you like the character. Its a quality toy, and I think better than the previous release. If you already have one though, its up to you to decide if you need another.

http://www.hlj.com/product/KYD01217

The 59th release in the Revoltech line is the biggest, with the biggest box and the most accessories. Kaiyodo and Katsuhisa Yamaguchi are on the top of their game, making smart use of Revoltech joints and a ton of accessories.

The ARX-8 Laevatein comes from the Manga / Anime Full Metal Panic! (フルメタル・パニック!) and is brought to you by HobbyLink Japan

I don't know the first thing about it. I've never seen the show, but I know a cool mecha design when I see one. This particular mecha is an "Arm Slave", a mechanized combat unit that is piloted by a human named Sousuke Sagara. The ARX-8 Laevatein is a Fourth-Generation Arm Slave, and while it has not yet appeared in Anime, it has appeared in the recent novel. Not quite a Super Robot, the Laevatein comes in at 9 meters tall (about 29.5 feet).

Laevatein, incidentally, is the name of a mythical Norse weapon.

The 59th release in the Revoltech line is the biggest, with the biggest box and the most accessories. Kaiyodo and Katsuhisa Yamaguchi are on the top of their game, making smart use of Revoltech joints and a ton of accessories.

First, lets start with the Laevatein itself. This is a sleek fighting machine, with lots of joints and fantastic detail.

Articulation on this thing is fantastic - it was just made to move. The core figure contains 17 Revoltech joints, with over 50 points of articulation.

There are so many accessories included with this figure - let's start from the top. There are 5 optional hands, in various poses. Two of the hands are sized to hold the large blades called "monomolecular cutters".

Included are two parts that represent when the monomolecular cutters are engaged, but not extended:

Two smaller knives are also included, called "anti-tank daggers"

A shotgun called the "76mm shot canon" can be held by the gun-holding hands.

On the chest there are two panels that can be removed and replaced with robotic arms (including even more Revoltech joints). These arms can hold the included "AS-grenades".

This would already be a generous amount of accessories for a Revoltech figure, but we are not done yet....

The ARX-8 Laevatein comes with an enormous gun called the "Demolition Gun". The gun itself is 6.5 inches long and is actually made out of several components. The main 165mm demolition gun has a removable base and barrel, which can be replaced with the Gun-Howitzer Mode attachment. The rear of the demolition gun has two removable gun magazines, and a dual Revoltech joint that anchors the gun to the shoulder.

To support the Demolition Gun there are extra shoulder parts called "Lamda Driver Cancelers". These attachments attempt to cancel out the extra force generated by the use of the gun.

To cool the unit, the Laevatein has cooling wires that extend from the back of the head. This effect is achieved by including a different head with a hair-like attachment:

When the Demolition gun is not in use, it can be stored behind the shoulder by another robotic arm attachment (which has more Revoltech joints)

With all the accessories on, this is one badass mech. It's just phenomenal in so many ways.

Definitely go order one now from HobbyLink Japan, while there are some still left. It's really fantastic.

http://www.hlj.com/product/KYD01218

"Cybertron is cool, but Earth rules."

The great evil leader of the Decepticons, Megatron, has been resurrected on Earth! Using a stolen key card modified by the legendary All Spark to rebuild his old body into a new form, he finally sheds his repulsive guise as an “Autobot” in front of his long-time and ignorant companion, Professor Isaac Sumdac, within his private lab in Sumdac Tower, and blasts through the Autobots’ defense. Entering their small maintenance ship for the second time in fifty years, Megatron finally claims the true All Spark as his own after millions of stellar cycles of searching, and immerses it within his chassis, making him near-unstoppable. But through determined teamwork and trickery, Optimus Prime recovers the key card, and uses it to make the All Spark in Megatron’s chest explode! Though with only minor injuries, Megatron kidnaps Professor Sumdac, and escapes with the other Decepticons. Then finally, the Autobot Elite Guard arrives on Earth a few days later, with the great and noble commander of the Autobots aboard, Ultra Magnus. Though initially doubtful of the claims of Optimus Prime’s small Space Bridge maintenance crew, he sees that they are telling the truth, and tells them to keep up the good work, and continue to hold Earth safe as Decepticons throughout the galaxy rise up from word that their leader is still alive. Meanwhile, it is discovered that the All Spark was not destroyed, but rather fragmented and dispersed across Detroit. With new un-allied Cybertronians being created randomly across the city from All Spark fragments, Megatron on the loose, and Sumdac’s young daughter, Sari, wrongfully evicted from her only home, Bulkhead, Bumblebee, Prowl, Ratchet, and Optimus Prime have their hero work cut out for them... but they’re up to the challenge.

While the self-fulfilling and arrogant Sentinel Prime was filling Ultra Magnus’s audio receptors with horror stories of potential organic contamination from this Earth, and great mistrust & doubt of his former Academy classmate Optimus Prime, Jazz was more open-minded on both subjects. Though hearing troubling tales about giant organic alien spiders from Sentinel, Jazz was quick to realize that even though Earth and humans were vastly different from Cybertronians, they had their own ways of doing things that strangely struck a chord in him. Of particular interest to him was the fact that each human is created uniquely from all others- whereas all Autobots share similar structures and forms with unique Sparks. Trained in a higher level of Cybertronian martial arts than Prowl, this makes him equally sensitive and open-minded to things that others would not immediately recognize. And no matter what he does, he always puts a personal flair into it. This also certainly applies to his fighting style: cool, fast and impressive with his twin Energon-powered nunchaku- with which he can deflect energy shots, and slice through hard metal. Otherwise, the way Jazz figures, it just ain’t worth doin’ if he can't do it in style.

The voice of Autobot Jazz is performed by cartoon and television actor Phil LaMarr, as his only character in “Transformers Animated”.

Jazz’s vehicle mode (back) may no longer be a Porsche 935 Turbo, but it sure invokes the feeling of his original G1 disguised form, particularly with the red and blue stripes along the rounded nose. While no longer a racing vehicle, he retains the look of a sports coupe, though with the exaggerated styling of the “...Animated” line. The passenger section is lower than you might expect, and is flanked on either side by stylized extended side-view mirrors. Believe it or not, the front and side windows are actually made of the same transparent-turquoise ABS plastic, but for whatever reason, they have been completely blackened out [by whatever method]. Rather than being placed in back, the four exhaust pipes are located prominently on either side of the two doors. And in back, the tail lights are raised on high flairs above the back wheels.

One obvious paint error is found here: on the character’s vehicle mode in the series, the red and blue stripes continue all the way up and over the car, but on the toy they occupy only the hood. The reason this was done, however, is because when Jazz is transformed, he has no blue and red stripes along the front of his lower legs... which are made up from the roof of the vehicle mode. (So, if this toy is true to the character’s appearance in that regard, then does this mean his transformation is different in the series...? I’m inclined to say “No”.)

Unlike most of the figures I’ve reviewed so far from “Transformers Animated”, Jazz is one of the very few that does not have an assisting Auto-conversion feature. Not to spoil anything here--

“Spoil what exactly...?”, you ask.

--but the only ‘special feature’ he has is his robot mode’s weapon. Beyond that, you do it all yourself. (Of course- sarcasm aside- there’s certainly nothing wrong with that!)

One thing about his transformation I will comment on, though, is that it’s rather difficult to get the bottom panels of the lower legs to slip past the windshield when transforming him between either mode. While bending the hips helps a little bit, I’m afraid that someday that windshield might declare it’s had enough, and finally crack or warp. (Unfortunately, the panel on the lower leg cannot be trimmed down by you because he needs it to stand upright!) So you’re just gonna have to deal with it as is, and be aware that’s you need to be both careful and patient.

Oh, also, you don’t have to store his hands folded inwards 90° when he’s in vehicle mode; they’re just fine stored as if they’re extended for robot mode.

Jazz’s robot mode (back)- unlike his disguised form- does not nearly as closely resemble his G1 counterpart from 1984. Perhaps the closest comparison might be that the car’s nose, wheel wells, and hood become his upper torso, and that’s about it. While the roof and back of the car still become his legs, they are reoriented to point downwards and are placed on the front of his legs rather than the back. His head, while an original design, does carry one familiar trait- the light blue visor. The visor is transparent, so that when light shines on the back of his head, the visor will glow. (Does it work? It’s a “Transformers Animated” figure- of course it works! And quite clearly too!) While he carries the now-trademarked large chin that all characters do in this series, his gray face is narrow with sharp features, similar to Prowl’s. Because Jazz always appreciated hip-hop and pop culture, one awesome detail they added was a pair of black headphones molded directly into the sides and top of his head over his even more-subtle white flat cap-shaped forehead! Perhaps the most stand-out features of the arms other than their flexibility is the storage clips for the upward-pointing nunchaku on the outside of his elbows, and that his hands are opened up a little rather than being solid fists [which, notably, transforming toys in the “...Animated” line do not utilize nearly as much as its predecessors did].

Notice also that, not only is Jazz the first character toy to have a red Autobot symbol on his chest (all of the Autobots' are red on-screen), but he is the first release to display the winged Autobot logo created for the series which designates him as part of the Elite Guard.

As Jazz is a smooth operator in everything he does, his range of motion is equally fluid and impressive, with ball-&-socket joints in his neck, shoulders, wrists, and hips, and everything else twisting freely, including a waist joint! Perhaps the only objection I have with Jazz is that his ‘headphones’ bump into the back of his neck when turned side-to-side; so when he looks to either side, his head tilts downwards quite a bit, and he can’t really look upwards. The proportions of the figure, also, are only slightly off from his on-screen counterpart- his lower legs are slightly longer than they should be, and his upper legs aren’t long enough, but there is no interruption in style or function to be a problem. While the clips for his nunchaku do indeed shift to that upwards-position in the series, the weapons themselves do not appear- stored internally instead until needed. But here, since they are big enough, their correct orientation has them rising quite a bit beyond the elbows. While poseability is in no way a problem, if you wish, you can remove the weapons and leave their clips open to recreate the more series-accurate look. Perhaps this would be the only consideration of “kibble” I would apply to this figure other than the windshield on his back (which really doesn’t get in the way of anything anyways).

. . .

Jazz has only one weapon feature- two pairs of nunchaku (aka nunchucks), which are stored on the outside of his elbows. They can be easily separated from each other- each pair being tied together with small pieces of white string- and placed in both of Jazz’s hands, though the curved sections will not fit at all.

This is another first for me in the world of Transformers®- I have never own any character by this name before (though I would certainly like to get a G1 ver of him). But I can tell that, like many of the characters from the first season, this one was crafted with a little TLC by the good folks over at Takara, and was brought to life by the wonderful animators over at Cartoon Network. You cannot look at this guy and deny that he is a tribute to the classic hip-hop-bot from the ‘80s, but now with a crafted body to match his personality and legacy. The poseability is awesome, and though he doesn’t have any shooting weapons, the nunchaku, I thought, were a nice change from a blaster or missile launcher or- heaver forbid!- a sword; we haven’t really seen that kind of weapon on a Cybertronian before. Even more-so than some of the other figures I have, the proportions chosen by the animation development team translates very well into toy form. I mean- headphones on a robot? That is an awesome idea, and, again, it fits the character! So, complaints? Other than having a difficult time getting his legs past that windshield when transforming him, not really. So, I give full marks and a high recommendation for the Deluxe-class Autobot Jazz figure. I hate to sound clichéd, but seriously... he rocks!

--Renewing the Charge--

[DISCLAIMER: This last section is not supported, advertised, or endorsed by either Hasbro, DreamWorks, Paramount Pictures, or Warner Brothers Records. It is a fan-supported effort completely independent from all companies affiliates with the 2007 film "Transformers".]

Not even a week after "Transformers" entered theaters on July 3rd and became a blockbuster, scores of fans were clamoring for a copy of the original musical score by Steve Jablonsky. However, WB Records said in an official statement that the score would not be released for the foreseeable future. In protest, a fan-supported online petition was set-up to persuade the record company to reconsider. By the end of two months, over 5500 signatures had been recorded (your's truly at #1112).

Victory for the signers was claimed when “Transformers: The Score” was released in October that same year, containing just-shy of one hour of the original score. Jablonsky also personally wrote to the creators of the petition thanking them for their efforts. The CD would go on to become the 32nd best-selling soundtrack on Amazon.com at the time of its release.

However, victory was short lived. Because the CD was so popular, it disappeared from shelves rapidly, and was not restocked. By the end of 2007- a mere two-and-a-half months later- new CDs were no longer being produced, but were still being sought after. Reports of online price scalping were not uncommon when stores ran out, easily selling for double the original prices. (Don't worry- I got my own copy in October, and loved every minute of it!)

. . .

Well, the folks at The Knight Shift who brought you the first petition have come back, and they are saying "Give the people what they want". I recently learned that a new Petition 2.0 is now up, and is accepting signatures once more. This new effort is directed at Warner Brothers Records, and is asking for an extended reissue of "Transformers: The Score", with the potential for additional original tracks to be added.

(Yours truly is petition signer #563.)

If you signed the original petition, I both thank you and ask you to put forth your effort on this new petition as well. If you did not sign the original petition, but got the CD, please sign this new petition. If you are a fan of Steve Jablonsky, please sign this new petition. If you are long-time Trans-fan, or you simply enjoyed the film the movie, then please sign this new petition. I thoroughly appreciated and enjoyed the original CD release, and I want others to share in it as well.