Zagoran
If you’re at all familiar with Gargamel, you know that they’re a group of about half a dozen guys in Japan who run hip clothing store, Thrashout, whose real claim to fame is their designer kaiju toys. In fact, they’re easily among the very best at vinyl toy production. They make toys of their own characters or of patchi-kaiju (“patchwork monsters“…monster characters from old illustrations, often unlicensed). Zagoran is of the latter category.
Zagora(n) is a fascinating patchi-kaiju, and easily the most prolific. To date, I believe that there have been no fewer than five different companies making various toys of the ol’ chap. Rather than reprint his tale, check out this thread on Skullbrain by Roger Harkavy, with props to Matt Alt. Regardless of his fate as an intellectual property, it would be tough to argue that Gargamel’s vision of the one-eyed monster isn’t the most popular among toy collectors.
Now, enter FullyVisual, a one-man metal-casting operation in the States run by Jamie Mathis. Basically, he takes artwork or sculpts from different artists, re-sculpts them to make them suitable for diecasting, and then renders them in fine metals. How amazingly cool is that!? So, Jamie got together with Gargamel and took their hottest interpretation of the cycloptic nuisance (the mini figure), and reworked the sculpt to begin casting.
FullyVisual produced six different diecast colorways of this metal statue. The first four are typical for their productions: black-stained bare metal. They made 25 silver, 25 copper, 15 black nickle, and 15 gold Zags. And to make things even MORE enticing, Paul Kaiju, himself, came aboard to do 10 each of painted red/green, and painted blue/brown. The following review is of the red/green PK version.
[Apparently, there’s also a “S**thead” chase colorway, too! Wonder what that’s like…]
When I first got the package, I noticed how nice the box was. Heavy-duty corrugated cardboard. Impenetrable!
But more importantly were the graphics designed by Gargamel. Sure, the styling’s pretty groovy…but one thing Gargamel’s known for is their subtle references to the classics…
The above is from Bullmark‘s classic “Bullpet” line of licensed Toho kaiju diecast figures. Note the similarities?? There’s the same silver background with inset, framed photo of the toy. Same gradient color block letters. Same hexagonal company logo. If you’ve ever owned a Bullpet, you know what vintage Japanese toy love is. They’re that good. It’s no wonder Gargamel and FullyVisual sought to pay homage to this legendary line.
Upon opening the box, the toy and its base are enshrouded in a cloth drawstring bag. Very nice, classy touch! The bag is then wound thickly in bubble wrap and stuffed securely in the box.
The figure, itself, is absolutely lovely. Pricey, perhaps. But lovely. [His vinyl counterparts usually retail for 1/3 of this guy’s pricetag.]
There are a whopping…wait for it…ZERO points of articulation on this baby! That’s right! Just a heavy metal monster with a smokin’-hot paint job. It’s a shame that photos just don’t do the toy justice. It really needs to be held in your hands to appreciate the heft and revel in the colors.
That red is really deep and lustrous, like a dark ruby. VERY metallic–almost chrome-like finish. The yellow, green, and silver sprays are applied with care, as well. I love how Paul repeated the red-yellow-green fading effect on the belly, top of the head, and tip of the tail.
The sculpt of this casting is interesting. The arms are sorta down at his side, and the hands are actually fused to the hips. There’s only a tiny gap between his arms and body. This is different from the normal vinyl mini, whose arms are free and posed asymmetrically in a very subtle way.
Also, I’m not exactly sure how this thing was cast. It’s been a WHILE since shop class, so what do I know? But there does appear to be seam running up the side, from his feet, along his arms, and up to his jaw. What’s weird is that the seam doesn’t proceed up the side of the head (or on the bottom of his feet–those suckers are smooth). Dunno how it all works, but it’s interesting to note…
The bottom of the right foot has Paul’s initials on it. And both feet have two holes in them for affixing the base.
The base, itself, is a simple metal plate with matching pegs and footprints for Zag’s feet. It’s got an interesting worked-metal finish to it, and I found its inclusion a nice touch that wasn’t necessary, but quite welcome.
The bottom of the base features the stamped emblems for Gargamel and FullyVisual, and also the number of the piece. This is kinda interesting because this particular figure is 64 of 125. Well, if you tally up the numbers of the six different colorways, you only get 100. Could there be 25 of this chase “S**thead” colorway? Or maybe the numbers on the website for the other colorways were just wrong… Eh, whatever.
Finally, a straight-up comparison to the original Gargamel mini Zagoran vinyl:
Note the differences in the arms.
Other than the materials and arm sculpts, they’re pretty much dead ringers for one another. The only other difference is the obvious neck joint on the vinyl.
That’s it for now. You can follow the latest Gargamel news on Skullbrain.